Frida kahlo autorretrato con collar de espinas

Frida kahlo autorretrato con collar de espinas

Frieda and diego rivera

Kahlo painted the self-portrait, which includes a black cat and a monkey, after her divorce from Diego Rivera and the end of her affair with photographer Nickolas Muray. Muray bought the portrait shortly after it was painted, and it is currently part of the Nickolas Muray collection at the Harry Ransom Center at the University of Texas at Austin.[1]

Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain.[2] Scholars have interpreted her self-portraits as a way for Kahlo to reclaim her body from medical issues and gender conformity. In particular, scholars have interpreted her self-portraits in the context of the tradition of male European artists using the female body as the subject of their paintings and an object of desire.[3] Kahlo, using her own image, reclaims this use from the patriarchal tradition. The autobiographical details of her life found in these works as well as her characteristic brows, elaborate hair, and vibrant Mexican clothing has made her a popular figure in Mexico and the United States.

self‑portrait with cropped…

Kahlo painted the self-portrait, which includes a black cat and a monkey, after her divorce from Diego Rivera and the end of her affair with photographer Nickolas Muray. Muray bought the portrait shortly after it was painted, and it is currently part of the Nickolas Muray collection at the Harry Ransom Center at the University of Texas at Austin.[1]

Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain.[2] Scholars have interpreted her self-portraits as a way for Kahlo to reclaim her body from medical issues and gender conformity. In particular, scholars have interpreted her self-portraits in the context of the tradition of male European artists using the female body as the subject of their paintings and an object of desire.[3] Kahlo, using her own image, reclaims this use from the patriarchal tradition. The autobiographical details of her life found in these works as well as her characteristic brows, elaborate hair, and vibrant Mexican clothing has made her a popular figure in Mexico and the United States.

the broken column

¿Qué se puede apreciar en la obra que confirme esta suposición? Se puede iniciar analizando los colores con base en la teoría de la psicología de color. Los colores que predominan en el autorretrato son el verde, el blanco y el negro. En el verde podemos apreciar la fascinación de Frida hacia la naturaleza; a pesar de estar hablando de un momento de su vida con Diego Rivera, nunca se olvidó de sí misma, ya que en cada una de sus pinturas utilizaba símbolos con los que se sentía identificada, sus propios significantes. A través de la naturaleza podemos ver reflejado su gusto por los paisajes típicos mexicanos, el color verde también se asocia con la naturaleza, la esperanza y la fertilidad. Se podría apreciar la naturaleza no sólo como simbolismo de lo mexicano, sino que también puede expresar que detrás de la muerte o el duelo que es el terminar una relación importante, siempre se alberga en lo profundo del alma una esperanza de que volvamos a florecer y a ser tan fértiles como uno se pudo percibir cuando amaba.

autorretrato con collar de espinas significado

Kahlo painted the self-portrait, which includes a black cat and a monkey, after her divorce from Diego Rivera and the end of her affair with photographer Nickolas Muray. Muray bought the portrait shortly after it was painted, and it is currently part of the Nickolas Muray collection at the Harry Ransom Center at the University of Texas at Austin.[1]

Frida Kahlo was a Mexican painter active between 1925 and 1954. She began painting while bedridden due to a bus accident that left her seriously injured. Most of her work consists of self-portraits, which deal directly with her struggle with medical issues, infertility, and her troubeparate Frida on which to project her anguish and pain.[2] Scholars have interpreted her self-portraits as a way for Kahlo to reclaim her body from medical issues and gender conformity. In particular, scholars have interpreted her self-portraits in the context of the tradition of male European artists using the female body as the subject of their paintings and an object of desire.[3] Kahlo, using her own image, reclaims this use from the patriarchal tradition. The autobiographical details of her life found in these works as well as her characteristic brows, elaborate hair, and vibrant Mexican clothing has made her a popular figure in Mexico and the United States.

Frida kahlo autorretrato con collar de espinas on line

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