Saturno devorando a su hijo analisis

Saturno devorando a su hijo analisis

Black paintings

La imagen iconográfica recuerda al Saturno devorando a su hijo de Rubens, aunque hay diferencias entre las dos pinturas. Rubens se muestra más respetuoso con la tradición iconográfica del personaje mientras que Goya se centra en lo cruel y truculento.

Se trata de una pintura muy simple, que casi raya la abstracción, en la que destaca el intenso expresionismo de la cabeza de Saturno. Posee una gran calidad plástica con fuertes y vigorosas pinceladas, bajo las que se esconde un dibujo perfecto, como indica Gudiol. Es una pintura de contrastes ya que la figura del dios sobresale de un espacio oscuro y neutro, casi irreal. Los rojos de la sangre destacan sobre los negros y grises, logrando un efecto pavoroso.

El expresionismo que Goya formula en esta pintura servirá de inspiración a artistas contemporáneos. El modo de deformar los cuerpos y los gestos de las figuras, como si fueran bestias, influirá en pintores del siglo XX como Solana o Francis Bacon.

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This painting was traditionally thought to have been located opposite Leocadia on the shorter wall of the lower floor of the house known as the Quinta del Sordo, but Glendinning has offered a new theory on its location. Photographs taken before the painting was lifted from the walls seem to reveal a light – possibly coming from a window – which lights up the painting more intensely on the right-hand side, suggesting that the it must have been situated on that side of the room, opposite Two Old Men.

In this painting Goya depicted the mythological subject of Saturn: the god of time who devoured his children when his wife gave birth to them until she was able to prevent him from killing the last, Jupiter, who defeated his father and made him disgorge all his brothers and sisters. The painting depicts the terrible moment when Saturn is dismembering and swallowing one of his children. He seems to crush through the body with the strength of his hands, the blood seeping between his fingers.

saturn devouring his son price

Saturn Devouring His Son is the name given to a painting by Spanish artist Francisco Goya. According to the traditional interpretation, it depicts the Greek myth of the Titan Cronus (in the title Romanized to Saturn), who, fearing that he would be overthrown by one of his children,[1] ate each one upon their birth. The work is one of the 14 Black Paintings that Goya painted directly onto the walls of his house sometime between 1819 and 1823. It was transferred to canvas after Goya’s death and has since been held in the Museo del Prado in Madrid.

In 1819, Goya purchased a house on the banks of Manzanares near Madrid called Quinta del Sordo (Villa of the Deaf Man). It was a two-story house which was named after a previous occupant who had been deaf, although the name was fitting for Goya too, who had been left deaf after contracting a fever in 1792. Between 1819 and 1823, when he left the house to move to Bordeaux, Goya produced a series of 14 works, which he painted with oils directly onto the walls of the house. At the age of 73, and having survived two life-threatening illnesses, Goya was likely to have been concerned with his own mortality, and was increasingly embittered by the civil strife occurring in Spain. Although he initially decorated the rooms of the house with more inspiring images, in time he overpainted them all with the intensely haunting pictures known today as the Black Paintings. Uncommissioned and never meant for public display, these pictures reflect his darkening mood with some tense scenes of malevolence and conflict.[2]

saturn devouring his son lines

El cuadro Saturno devorando a su hijo es una de las pinturas al óleo sobre revoco que formaron parte de la decoración de los muros de la casa que Francisco de Goya adquirió en 1819, llamada la Quinta del Sordo. Por tanto, la obra pertenece a la serie de las Pinturas negras de dicho artista.

Representa al titán Crono, como es habitual indiferenciado de Chronos, o Saturno en la mitología romana, en el acto de devorar a uno de sus hijos. La figura era emblema alegórico del paso del tiempo, pues Crono se comía a los hijos recién nacidos de Rea, su mujer, por temor a ser destronado por uno de ellos.

El acto de comerse a su hijo se ha visto, desde el punto de vista del psicoanálisis, como una figuración de la impotencia sexual, sobre todo si lo ponemos en relación con otra pintura mural que decoraba la estancia, Judit matando a Holofernes, tema bíblico en el que la bella viuda judía Judit invita a un banquete libidinoso al viejo rey asirio Holofernes, entonces en guerra contra Israel y, tras emborracharlo, lo decapita.

Saturno devorando a su hijo analisis 2022

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